播放列表
- wjm3u8
- sdm3u8
- snm3u8
- zuidam3u8
正序
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内容简介
剧照剧照本片是根据西班牙内战期间被法西斯枪杀的伟大诗人费德里戈·加西亚·洛尔卡的七场话剧改编而成的 故事发生在一个乡村举行婚礼的那天 早上,新郎的母亲发现儿子衣袋里有一把刀,尽管儿子试图向母亲解释这把刀不是凶器,但深为震惊的母亲还是把刀从他身边拿走了 莱昂纳多的妻子见晚归的丈夫脸上表情严峻阴沉而又神秘莫测 妻子表达了她的猜忌和责难 她从莱昂纳多怀里夺走婴儿走出了房门,剩下莱昂纳多独自一人 他的切切情思越过时空,幻想和现实交错融汇起来 直到妻子走进房门,在婚礼的宴会上,莱昂纳多和新娘热烈起舞 他那妒忌的妻子逼迫他们分开 莱昂纳多和新娘悄悄离开,骑上一匹马飞奔而去 但他们很快就被人发现,母亲拿出那把刀交给新郎,命他杀死莱昂纳多 新郎终于追上莱昂纳多 新娘试图把两个男人分开,结果却徒然 两个男人互相刺杀,双双死在新娘的怀抱之中 Leonardo安东尼奥·加德斯Bride克里斯蒂娜·霍约斯GroomJuan Antonio JiménezMotherPilar CárdenasWifeCarmen Villena卡洛斯·绍拉1986年 蒙特利尔国际电影节 Prix Special du Festival 卡洛斯·绍拉1982年 卡罗维法利国际电影节 Special Prize of the Jury 卡洛斯·绍拉影片故意没有用正式演出,而是选择了只穿戏装、不带布景的简约派风格,将彩排和戏中戏交替呈现,为舞蹈爱好者提供了绝佳的“内幕材料” 本片是西班牙第一流导演卡洛斯·绍拉的一部别开生面的新作――一部出色的舞剧 它显示了西班牙人的力量,把西班牙人的容貌和形体、嗓音和艺术溶于一炉,把西班牙人的骄傲和忧伤尽情揭示出来 舞剧的高潮是情人和新郎持刀搏斗 这场决斗终于变成了他们临终前的晨祷舞――一个真正的血的婚礼 本片简洁紧凑,它精致细腻地描写了一个充满凶兆的乡村婚礼 使渴望看到配合默契的演出集体的舞剧迷们大开眼界 绍拉透过洛尔卡的舞剧看到了整个人类的创造力;记录了用悬垂着的手臂、打着响的手指、炯炯有神的目光来创造一个幻想世界的欢乐与痛苦 片中的故事以弗拉明戈舞/纪录片的形式展开,通过演员的准备、彩排间即间离向观众讲述了这样一出血腥悲剧:雷奥纳多(Antonio Gades 饰)曾与新娘订过婚,后娶了新娘的表姐且有了孩子 然而雷奥纳多还深爱新娘,并在新娘与新郎的婚礼上趁乱带着新娘私奔,得知此讯的新郎携刀追赶,两个男人进行了一场血腥决斗……《血婚》罗卡描绘安达鲁西亚/西班牙女人的悲剧三部曲剧作其一,也是西班牙导演卡洛斯·绍拉在八O年代个人电影艺术风格转变,以佛拉民歌歌舞剧拍成的电影三部曲作品,同时也是西班牙佛拉民歌舞蹈两大台柱安东尼奥·加德斯和克莉丝汀娜·欧若丝携手合作的作品 众多的西班牙作品以佛拉民歌舞诠释的电影或舞台剧,在各方面的表现并不逊于叙述性或抽象式的电影形式,也能凸显西班牙表演艺术层面与众不同的特质 佛拉民歌舞的击掌与踩板声,配合吉他与悲孤调所诠释的啜泣、哀怨、叫吼、的声音,掌握深沉,粗犷,缓慢,急促的节奏韵律是其特点 1981,罗卡的作品《血婚》,正逢个人寻求突破的转折点,适与制片人艾米里亚诺·皮叶德拉首度合作,亦寻求与安东尼欧‧加德斯的舞团合作以歌舞方式表现电影艺术 电影海报(2张)由于文本内涵是以彩排的方式呈现,其间也有情节未立即衔接的场景(如婚礼进行前的准备动作),运镜当中演员均在场景/舞台两旁,待其角色表演时始步入舞台/电影的框架中,因此使得前段加入的「纪录片」与文本贯穿,益显自然 不过<<血婚>>中舞者的表现和叟拉后来同题材的作品相较,显然未能淋漓尽致地展现,舞台背景也略为逊色 但因制片人艾米里亚诺·皮叶德拉坚持要拍三部曲系列的舞蹈片,也使得<<血婚>>成为西班牙歌舞剧电影与导演卡洛斯·绍拉从影生涯一个重要的里程碑