机遇编年史的71块碎片

分类:剧情片剧情 地区:奥地利德国 年份:1994 导演:迈克尔·哈内克 主演:卢卡斯·米科奥托·格林曼德尔安妮·贝南特乌多·萨梅尔布兰科·萨马罗夫斯基克劳迪娅·马丁尼格奥尔格·弗里德里希亚历山大·普席尔多萝特·哈廷格帕特里夏·希尔施比希勒塞巴斯蒂安·斯坦 状态:HD

简介:“冰川三部曲” (Glaciation Trilogy) 的第三部~ 根据真实事件改编~ 1993年12月23日, 一名19岁学生持枪闯入奥地利一所银行向客人乱枪扫射, 令三人丧命, 事后该学生在自己
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正序
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内容简介

     1993年圣诞前夕,一个19岁的青年学生闯进银行,射杀了几个人后开枪自杀      为了叙述这个事件的起因,电影回到了10月12日,展示了从那时到事发前的零星碎片      接下来,一些看似互不相干的人出现了      一个事业有成的女性在银行工作,在她接待的客户中出现了自己年老孤独的父亲;这个银行的保安员负责运送钞票,天天在钞票和老婆之间重复往返;另有一对中年夫妻到处打听,想收养个孩子;那个青年学生则和普通人没有什么区别,他和同学一起玩拼纸板的游戏,用几个几何形状拼成十字架,他还喜欢打乒乓球      而把这些人串连起来的是一个罗马尼亚男孩,他偷渡来到维也纳,流浪街头,常干些小偷小摸的勾当      与罗马尼亚男孩相比,其他人可以说都在幸福着      他们衣食无忧,工作稳定,过着我们这个文明社会的典型生活      但是,他们眼中的不如意似乎更多      罗马尼亚男孩还可以随时随便地逛街,即使琳琅满目的商品不属于自己也没关系,观赏它们已经能够带来乐趣,何况偶尔还能窃为己有      而那些文明人却无法像橱窗里的商品那样多彩起来,他们的生活一直是灰色的      老父亲排在顾客队伍里,他并不是为了办理存取款事宜,而只是因为孤独,来这里可以看看女儿,说两句话      青年学生尽管生活比较随意,但烦恼的事也不少      他可以长时间地练接球(一个三分多钟的固定镜头拍摄他和发球机对练),却没有办法如此干净利落地解决身边的小麻烦      发球机里的乒乓球抛出来,他就将它打回去,时间长了,也就会变得没有挑战性      我甚至猜想他宁可碰到大的麻烦,也不愿纠缠在鸡零狗碎中,那样至少生活得刺激些      不过,后来他通过非法渠道买到一支手枪,看上去有大事要发生了      罗马尼亚男孩在大街上溜达了一段时间后终于被收容,电视上播放了有关采访      急于收养孩子的那对夫妇看到了新闻,妻子为男孩的境遇伤心落泪,他们准备收养他      男孩被养母用汽车接回家      被收留意味着他就要进入文明生活了,不知道这是好事还是坏事      罗马尼亚男孩赶往新家,路上他们停下来去银行取钱      几分钟前,19岁的青年学生来过这里,还为了琐事被人打了一顿      后来他又去给汽车加油,却发现没有现金,加油站又不接收信用卡      他坐在车里,生了好一阵子闷气      然后他就掏出了枪,到银行里杀人,在大街上杀人,并把自己射杀在车里      电影并没有立即结束      和开头一样,结尾是电视新闻节目,而且用的是影片前面已经出现过的两段新闻      一段是炮火下的萨拉热窝的日常生活,市民们或平静或悲痛;还有一段是Michael Jackson被无罪释放的消息,他将重整旗鼓      显然,与前两部相比,《机遇编年史的71块碎片》更加直接地将矛头指向了社会环境      电视新闻中的暴力、屠杀不断,此起彼伏的抗议、罢工也为人们司空见惯      但地球上和它们直接有关的人毕竟是少数      尽管如此,我们却仍然会遭遇暴力和残害      平庸麻木的中产阶级生活表面冠冕堂皇,实则危机四伏      以此为基础构建的社会道德,难以抵御来自外部的不确定力量,局部的崩溃在所难免      Michael Haneke以冷漠的手法表现冷漠的现实      影片的镜头非常干脆,都是通过一秒钟的黑屏完成切换的,有时人物的话还没讲完就切掉了      他还偶尔使用一些重复镜头,更烘托了人物生活的重复单调      《冰川三部曲》里的杀人(包括自杀)事件几乎都是没有多少来由的      导演所展示的人物生活都很平常,似乎不能给杀人以充分的借口      或许我们正是因为生活在其中,所以才无法察觉      Gabriel Cosmin UrdesMarian Radu卢卡斯·米科MaxOtto GrünmandlTomekAnne BennentInge Brunner迈克尔·哈内克迈克尔·哈内克

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