播放列表
- sdm3u8
- snm3u8
- zuidam3u8
- wjm3u8
正序
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内容简介
《找乐》演职员表(21张)老韩头是京剧院看大门的,今天是他退休的日子,他看什么都有些依依不舍 清晨6点,闹钟仍旧把他叫醒,但面对空屋他感到茫然 他整日在街头转悠 一天他偶然与有些痴呆相的何明交上了朋友,何明把他带到公园的围墙下,一帮退了休的老票友在唱戏 老韩头几句颇有专业味道的比喻,说的人家心服口服,随之一些老票友便交了他这个朋友 天越来越凉,老韩头想成立一个老年京剧活动站,他不辞辛苦东跑西颠,八面联络,终于办成此事,他成了当然的站长 为了参加春节庙会,活动站赶排《铡美案》,结果什么奖也没拿到,但活动站依然很红火,老韩总是热心的为大伙服务,但要求很严格,在考勤、曲目等问题上决不通融,结果人家对此不免有些怨气,最后终于向老韩头发泄了,老韩头一气之下,摔门而去 出了门,老头在大街上乱转,不知不觉又回到活动站,听着大家的议论,坐在窗下的韩头不知是啥滋味 老韩头又回到公园墙下,蹲在远处看老头们自由自在地唱戏,最后他还是站起身向老哥们儿走去 韩头黄宗洛乔万友黄文捷董头韩善续管理员莫岐何明何明冯老冯世华王老王少丰秃子杨金声白老白大鹏曹老曹鑫生常老常来福南老南致祥崔老崔庆诗李老李颉肖老肖志彬大宝纪军< 上一页|1|2|下一页 ><|||>默认显示|全部显示成志谷、蔡程杨汉平(制片主任)、刘卫东(制片主任)、孙颖(制片)、韩世清(制片)才汝彬(总监制)、郑凯南(总监制)陈建功宁瀛赵立军、徐乔楠宁瀛、宁岱肖风、邬迪孟卫东周梅平王强杨小文、程广平(副美术)超英李凤菊杨继忠、徐德生晁君赵占林责任编辑琼玛、吕芯芸烟火杨敬国戏曲顾问张景山、冯世华演职员表参考资料韩头韩头演员黄宗洛黄宗洛配音-京剧院的门卫,忠厚、诚实、善良、执拗 他在琐碎的工作中找到了自己的价值,觉得单位没自己不行,可领导还是让他退休了 当备感孤独和失落的他结识了一群在公园唱戏的老票友后,仿佛又活了,把全部精力去组织老年京剧活动站 在成为老年活动室的负责人后,他绝不允许票友们忽视活动规则,结果引发众人不满 乔万友乔万友演员黄文捷黄文捷配音-票友,像女人似的哑嗓男旦,退休前是国家干部,虽然嗓子条件不行,但丝毫不影响他热爱京剧 他是老年京剧活动站的活跃分子 因为老韩头严格执行规章制度,他心里有些不满 董头董头演员韩善续韩善续配音-票友,老年京剧活动站活跃分子,原来是拉三轮车的,没什么文化,和过继来的儿子天天吵架,有一次因为吵架迟到,老韩头不让他唱,他很气愤 后来,又因为唱得不对和老韩头吵翻,把老韩头气得摔门而去 何明何明演员何明何明配音-智障青年,被后母抛弃,只会重复别人说话的后面几个字 老韩头怜悯他是个傻子,二人交了朋友,他便成为老韩头倾诉心事的对象 他带老韩头到天坛外的长廊,老韩头由此认识了那群老票友 等老韩头建立老年京剧活动站,他也加入其中 角色介绍参考资料 导演宁瀛在该片中大量使用非专业演员,其中扮演票友的多为北京东西城的京剧票友 获奖时间获奖奖项获奖方结果1993年第43届柏林国际电影节青年电影评委荣誉提名奖《找乐》获奖第41届圣·塞巴斯蒂安国际电影节青年导演大奖宁瀛获奖第三届萨洛尼亚国际电影节最佳导演奖宁瀛获奖最佳男演员奖黄宗洛获奖第15届南特三大洲电影节金热气球奖《找乐》获奖最佳男主角黄宗洛获奖最佳亚洲影片《找乐》获奖第六届东京国际电影节青年电影奖-樱花金奖 《找乐》获奖东京都知事奖《找乐》获奖获奖记录参考资料导演宁瀛曾表示,决定拍摄离退休人员题材的《找乐》是凭直觉决定的,因为她能从老韩头身上感受到自己的一些经历 1987年,她从国外回来,在对西方社会有了一定了解后,对祖国产生了特别深的留恋 当时正值出国热,很多人劝没有单位的她保持自由状态,可她觉得无所事事的感觉不对,于是入职北影 在北影,她因为自己成了集体的一员而产生了某种幸福感 这种感觉使她触动极深 在找到《找乐》的题材时,她感到自己能够体会主人公退休后为何要搞活动站,为何即使吵过架也还和那些人厮混在一起 她认为主人公退休后就和她当年从西方回国时一样,在完全可以做一个自由人时,却要重新给自己找一个生存环境,重新把自己放置在组织、规定、纪律中去,然后在其中如鱼得水地生活 该片作为一部现实主义的力作,将镜头放进北京的市井生活,通过几个老人之间的故事,在一种高度纪实化的表达中传递出个体与集体、人与社会的辩证关系,颇具深刻意味 影片通过大量的场面调度配合叙事,拓展了画外空间,以更广阔的生活环境来反映现实 导演采用最普通的直叙法,把一个退休老人的生活以一种记录的方式展现出来,没有过度夸张,也没有刻意忽略 (《戏剧之家》评)在该片中,黄宗洛、韩善续等专业演员演技精湛,扮演冯老、王老、白老等一群老头的业余演员也都个个出彩儿,弱智儿何明的表演更令人忍俊不禁,使得这部有可能淡而无味的影片,拍得艺术个性鲜明,风格独特,很耐看 (《人民日报》评)该片用纪实的手法、细致入微地表现了老韩头的孤独与苦闷,执拗与倔强,渴望友情与理解,却常常难以得到,而得到之后,又是那么容易失去 他必须小心地遵守小团体的关系准则,反抗只能导致被驱逐,他和票友们的矛盾,可以理解为个人与团体之间的矛盾,这种矛盾带有悲剧色彩 片尾,老韩头以蹒跚的脚步走向聚集着的票友,象征着个体向群体的屈服 不过,事情也往往还有其积极的一面,尽管票友们的团体存在着这样那样的缺憾,但他毕竟从中找到过快乐和幸福 两种矛盾使他左右为难、进退维谷,找乐与找乐的代价成为两面一体的生存窘境 这就使小人物具有了大主题,观众们从老韩头身上发现了他们自己 (中国艺术研究院电影电视艺术研究所副研究员吴涤非评)网站评分参评人数统计截止日期豆瓣8 238072023-12-12时光网7 6822023-12-25