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内容简介
看见有人说主角往未来穿越是一个比较少见的设定,有没有想过这是为什么? 主角往过去穿,会改变未来的发展轨迹,在整个剧情中主角都会时时刻刻把这一点当成行为考量,这也会是剧情悬念的一部分。而主角往未来穿就不用担心这一点,时间线是从后往前的,主角影响不了过去,在未来世界完全可以为所欲为。 你可以往未来穿,但你至少要可以来回吧?就待在未来是什么意思?在《太阳星辰》这部剧里主角杨光耀从1993年穿越到2018年后,居然就直接待在2018年继续破案了? 穿越设定只是让杨光耀丢失了25年时间而已,对于一部悬疑剧而言,这个设定几乎没有增加任何悬念,除了“杨光耀穿越前追踪到电梯口被打晕的那个人到底是谁”这一个悬念。 越清晰的剧情逻辑,越缺少看点。而这个穿越设定更多地增加了什么剧情?感情线!一部悬疑剧里,它拉扯出了太多太多有关感情线的剧情,但看悬疑剧的观众并不是冲这个来的!我们就想看你推理、破案、追凶,而不是要你动不动来点男女情、父女情那套戏码…… 一开始看到男女主演,也猜到两个人多半有点感情线了,但谁能想到这感情线是父女情呀?杨光耀你也别怪陈凯晴难以接受你,谁天天看一个年纪相仿的人冲自己爹味发言也受不了呀! 所以看出来了吗?这个穿越设定就是来加感情线,洒狗血的! 其实我觉得完全不用写穿越,编剧也可以这样写:杨光耀被打晕后直接失忆了,并且被卖到国外某个穷乡僻囊(比如三边坡)当苦力去了,在他记忆里总是出现一对母女,所以他千辛万苦地回国了,想要找回自己的记忆和自己所在意的人。回国后,没有身份的杨光耀进入了黑恶势力,想要借他们的能量查询有关自己记忆和家人的线索。 在一次与警方对抗中,旧同事认出了他,成功取信了杨光耀,他们认识到当年的事并不简单,杨光耀选择继续卧底黑恶势力,找到有关自己记忆和当年真相的更多线索……在此过程中,杨光耀可以慢慢恢复记忆,可以慢慢查出更多线索,可以慢慢和女儿相认,可以更狗血,更港片,哪怕水个四五十集也不成问题。 看见有不少人在分析最后真相,但我对所谓的悬念一点都不好奇。现在悬疑剧越来不值得期待了,因为没有人在认认真真搞悬疑,在时空概念已经快被玩烂的情况下,国产剧还把这当成噱头拿出拍,就为了继续拍这些陈芝麻烂谷子的剧情……要不考虑一下,引入平行宇宙? 悬疑剧不让人好奇,就挺无聊的,也挺好笑的。据说还与韩剧《隧道》高度重合,这个不太了解,也就不评价了,就算一模一样也没什么可以意外的吧?另外,港剧也是真不行了,剥去穿越这层皮囊,还是十年那套东西,早拍烂了。